My Cinema:

1976: "Quaderno proibito", directed by M. Leto - RAI
1978: "La Medea di Portomedina", directed by C. De Sica - RAI
1979: "L'eredità della priora", directed by A. G. Maiano - RAI
1990: "Airport", directed by Tarquini - RAI
1991: "Stelle in fiamme", directed by I. Moscati - RAI
1992: "Gioco perverso", directed by I. Moscati - RAI
1993: "Assunta Spina", directed by S. Bolchi - RAI
1998: "Il nuovo giorno", directed by A. Grimaldi - Mediaset
2000: "Camici bianchi", directed by S. Amatucci - Mediaset
2000: "Il bello delle donne", directed by V. Lisi, regia Parise - Mediaset
2000: "Francesca e Nunziata", directed by S. Loren, G. Giannini e R. Bova,
regia L. Wertmuller - Mediaset
2001: "La squadra", directed by S. Vicario - RAI
2001: "Chiaroscuro", with N. Manfredi, A. Jonasson, regia T. Sherman - RAI
2002: “Artemisia” produced by Marta Bifano con E. Fantastichino
visualizza filmato di Artemisia
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2003: “Pontormo”, directed by G. Fago, con J. Mantenga
2003: “Il resto di niente”, directed by Antonietta De Lillo
2004: “Le Grandi Dame di Casa d’Este” directed by D. Ronsisvalle, M. Sigillo, R. Reim
2004: “Il potere sottile”, directed by Diego Ronsisvalle
2004: “Madame”, directed by Salvatore Samperi, con Rossella Falk - Mediaset


I am conviced that the Cinema is the direct way to get access to the dream: the game of lights that tryes to write a story. This long story which is moving, and his magic.... The conteplative dimension of communication, to be many forms in one. I love movies in historical costumes. I live much more in the past. Every lie hides a truth, and is this truth which I like to know. To investigate for the cult of a subject which is not mediated, for an istinctive fascination of the absolute.